Black square Malevich is the embodiment of thought Nietzsche – "Push the falling one." Art has reached a dead end and is suffering, it needs to be updated. It is necessary to push art so that it falls, is reborn and begins to live anew.
The blue square of Syntalism is the same Blue square from the picture Kazimir Malevich's "Suprematist Composition" of 1916. That picture was good, but not perfect. To achieve perfection, the avatar Soloinc removed the excess from it. Perfection is when there is nothing superfluous. Perfection is the top of the pyramid, which is a limited form, outside or inside of which is its infinite content. In the "Suprematist Composition" everything superfluous is outside the square. In a syntactic composition, everything superfluous, of which there are infinitely many, is placed inside the square. When the content is outside, we look from the inside. When the content is inside, we look outside. When I look outside myself, all I see around me is my inner world. When you look at me, you see a blue square.
In many paintings by Kazimir Malevich you can see a Blue square. More Moreover, all the paintings Kazimir Malevich is a view of the world from the point of view of The blue square. The square sees the world around it. The square sees itself and the world.
The mission of Syntalism in philosophy is the same as the mission of suprematism in art. Philosophy has reached a dead end. Syntalism reduces it to silence, destroying all words. The symbol of silence is The blue square of Syntalism. Silence is the form within which all words are found. Perfection comes from the unity of all words and their absence.
Kazimir Malevich was born in Kiev, the modern and former capital Ukraine, and its "Black Square" He was a symbol of perfection. Soloinc was born in Kharkov, which was also the capital Ukraine for many years. The black square is a symbol of the pride of idols, and the blue square is a symbol of humble pride. Kharkov pacified pride Kiev, and was the capital for 16 years. The meaning of Syntalism: to convey to the masters of the idols that their power is not absolute and anyone can overthrow it if he wants.
One of the most important sources of Syntalism is the book Kazimir Malevich "Suprematism. The world is like a pointlessness or eternal rest." According to Syntalism, objects are the self-negation of peace. The purpose of the denial of peace is joy and surprise. Peace seeks new forms for itself, denying itself in order to generate change, life, joy. Light is born out of darkness through the self-denial of peace. The light fades when the change ends and peace comes again. Light is a change. Slow changes generate mass, the material world and its objects. Rapid changes are like a flash of light.
By the way sir Kazimir Malevich was buried in the village Nemchinovka. Surprisingly, Mr. Soloinc has lived most of his life 30 minutes away from this place. I have been to Nemchinovka many times, and even wanted to buy a house there, and maybe even bought it.
Syntalism is evolving from suprematism, and if the symbol of suprematism is a black square, then the symbol of Syntalism is a blue square. Syntalism is the denial of suprematism with retention. The black square is a symbol of pride and ideal, and the blue square is a symbol of humility of pride. The black square is a symbol of death, and the blue square is a symbol of life. Suprematism is the development of oneself, and Syntalism is the development of oneself. Syntalism is destruction and disintegration, and suprematism is creation. Syntalism creates through destruction, and suprematism destroys through creation. We can say that, in essence, Syntalism is dialectical suprematism.
Inside a person there are his illusions, and outside a person there is a mirror of energy that reflects these illusions, materializing them into what is called the material world. The material world is a place where illusions fight among themselves, trying to rise above each other, proving that there is truth.
Kazimir Malevich, in suprematism, crossed out all art with his "Black Square", zeroed it out and started anew. The blue square of the philosophy of Syntalism does not cross out anything. The blue square is art. The point inside which the universe is located. A point that grows endlessly inside itself. A small dot that gives shape to an infinite universe. According to the philosophy of Syntalism, there is nothing superfluous, therefore Syntalism does not deny or cross out anything, but accepts and learns everything. Everything is the ideal. Everything is the truth.
To get rid of the slavery of idols and vice, one must free oneself from material slavery. Imagine that everything material is an illusion that does not exist. This whole life is a dream, a delusional super-valuable dream. Just step into another scene. Just take a step into the abyss of despair. All this is not there. Everything that seems important and super-valuable is a fantasy.
I'll show you the nature of money. I burned all my money, turning it into nothingness. Then I drew a "Blue square" and returned the money from oblivion back. The essence of money is the limitation of the universal. When I burned the money, I stripped it of its shape. When I limited nothing to the "Blue Square", I manifested energy in reality.
The square is a transitional form of life between vertical and horizontal, which is consistent with the idea of Syntalism about the gradient and the unity of opposites.
In fact, I don't see any special differences between vertical and horizontal, because both of them are the same rectangle. Vertical and horizontal come to unity through the square.
An object is an expression of certain values of the universal in order to draw attention to their value. In the chaos of the universal, individual values are lost, but objects allow you to create order by isolating the smallest details from chaos in order to discover their value.
The black syntactic square is a symbol of universal equality. Everything is perfection. Inside the black square there are a huge number of entities with varying degrees of perfection, from very large to very small. One perfection is like a mouse, the other is like an elephant, but you don't see any of this, because against the background of infinite perfection, one perfection is almost indistinguishable from another. Shades of perfection seem to me to be barely noticeable shadows and semitones. In this sense, the more imperfect, the better visible.
Velimir Khlebnikov predicted the appearance of ten books in the distant future. The future has arrived. The book "Variothought" there is a shadow book, a shadow of reality, like a mirror that reflects all the contradictions of the real world and subdues their pride. For the shadow, everyone is equal. Black, white, red, yellow... through the shadow all come to unity. The world of imaginary pointlessness, the point of intersection of parallel worlds.
In essence, the blue square is no different from the black square. A little closer to perfection, a little further to perfection, it doesn't really matter.
The word is the highest form of art. Intelligence is the ability to reproduce objects of the real world through words. In this sense, unreasonableness is an inability to art.
The object is the negation of objectlessness, this is the free will of the object. The subject wants to be. At the same time, the subject does not care deeply that other subjects do not want him to be and treat him aggressively. However, most of the subjects are neutral, because they are focused on denying their non-objectivity.
The word is the highest form of art that can not only reflect reality, but also create it. More Moreover, the word is a potentially limitless art form, for example, I can depict the entire universe in one word at once by writing the word god.
The old black square crossed out art, and the New Square contains art, endlessly striving for perfection. On the other hand, it's a swing. One step back, two steps forward. Two forward, three backward. Art strives for perfection, then back to imperfection, while making movements of cosmic amplitude. Unfortunately, your eye will not see any of this, because all these facets and shades of perfection are barely noticeable to an inexperienced viewer.
What is the blue square? This is a picture of the world. Having drawn the "Blue Square", I thought for a long time how to call it and called it "Painting The world." The blue square is a picture of the world where everything is intertwined.
To free his mind from the bondage of neurosis, a person must drop the plot, goals and things. A free mind is a pure, non-objective mind that dwells in silence and emptiness. Objects generate words. When objects disappear, emptiness comes.
The blue square is the embodiment of pointlessness. When objects leave, words disappear with them, leaving the bliss of silence and silence in the mind.,
Inside The objects of the blue square became words, losing their forms and gaining the quality of non-objectivity. Then the words intertwined in chaos and lost their shape again. The double negation of form gave rise to a new quality of paradoxical unity of words and objects.
The blue square is the embodiment of infinite movement, for all its constituent words are verbs. Everything is a verb. God is a verb. The blue square is the embodiment There is no chaos of movement, but if you break off a small piece from this chaos, you will be able to restore the order of forms and meanings in it.
The mission of Syntalism is to turn life into art. Syntalism is the art of living. For life to become beautiful, it must become art. People are used to running from life to art, but Syntalism is running back. Syntalism has collected buckets full of art and, spraying it in all directions, brings art to life. Our goal is the unity of art and life.
Everything visible is only a representation. Just as one word can have hundreds of meanings and contain a whole world inside it, real-world objects behave in the same way.
Everything visible is a representation, but whose representation is it? I claim that every object has its own idea of itself. The representation of the subject about itself is reflected It's like a mirror in me, and I'm starting to perceive it as my own representation, trying to change it, learn and complement it.
If any object can be called the word god, then every object has the infinitely perfect qualities of God. All objects in their form are limitation and negation God, his infinitely small piece.
The irrational is in the realm of the non-objective. Thus, through the irrational we come to the freedom of change. Throwing off the shackles of old forms, we can easily put on clothes of new forms, and then just as easily overthrow new idols. Objects think of themselves as idols and crave power, but irrationality pacifies their pride.
To remove excess does not mean to throw something away, but it means to realize that there is nothing superfluous. The ideal statue is a stone. A perfect creator is a motionless contemplative, aware of perfection. The realization of perfection is creation.
The destruction of form is not annihilation, but is the elimination of separation and the reunion of the inner and outer, which was previously separated and destroyed by form.
The blue square is the embodiment of the idea of a verb, and contains a verb within itself. The verb concentrates the energy of movement in itself. Thus, the blue square is a source of infinite energy of movement and the power to live. The contemplator will find in the blue square the source of life.
Representation is the negation of reality, which is paradoxically contradictory, therefore it cannot be in unity. In this sense, the representation is an illusion, under which there is a reality that cannot be, but it is. This is surprising.
In the syntactic black square, interest substitutes traces that symbolize movement, change, uniqueness and life. The squares seem different, but inside each of them lives its own life.
Peace is pointlessness. Objects are the product of will, desires and goals. Thus, a person comes to peace through humility of will, through awareness lack of need for desires, etc.
God may be unthinkable, or He may be conceivable. The unthinkable god is unlimited, and the conceivable god is limited by thought and is part of the universal God. The universal God is non-objective. The limited God is expressed through objects, the material world, thoughts, desires. Thus, thought and desire are a transitional form from God and non-objectivity to material objectivity.
The cosmos creates representations in the form of material objects. Human consciousness creates representations in the form of thoughts. In this sense, I see a sample of a fractal system. And we are talking either about the reflection system, or about the parent and daughter systems. Moreover, the system is dualistic, because there are facts that indicate the validity of both of these statements.